Who are they? Should I Write a Podcast Script? But try to avoid recording when there's music in the background — it's hard to edit around that sound. Maybe you're even talking to lots of different people. You can record sounds, conversations or interviews with sound recording apps on your smartphone. What bores you? It can be helpful to sketch out a profile for each character prior to writing. Do you have the ears of an audio producer at NPR? Write it, read it out loud, write it again … whatever it takes for you to feel comfortable with the story you are telling and the way it is being told. Focus on including the basic elements of dramatic structure: 1. What is a moment in history that all students should learn about? The real-life example is a story by NPR Congressional Correspondent Ailsa Chang about “regular order.” The intro If not, we recommend Audacity, which is a free software download available online. What sound would you use to give listeners a full idea of the story you're telling? Interview shows. If you have to stop to take a breath in the middle of a sentence, then your sentence is too long. Some feature people having conversations. For example, a 7 to 15-second read of a 30-second script will suffice. Unlike reading a book, listeners cannot linger over text until they understand what you’re saying. Some podcasts, like NPR's Up First, are about news. If you've listened to podcasts before — take a minute to think about them. It doesn’t matter how flashy production techniques end up being if ultimately your story isn’t compelling. In the last two chapters we looked at fiction podcast formats and story structures. How many people do we need, and what roles are involved? There isn't a set number of people needed to create a podcast, but it helps to have a team of people who work in different roles. The person should give his or her name and job title (what he or she does). Here are some guidelines for writing a narrative essay. Bring a teammate along to help when you're going to an interview or to record sounds. You don’t have to use all their background in your script, but developing your characters will give them a level of depth that can help your audience to care about and connect with them. If your school or podcasting team has other tools available to use, it's important that you use them correctly to create the best product that you can. Come up with a list of open-ended questions you'd like to ask during your interview. You can also use audio clues to help set your scenes, things such as background noises and sound effects. We don't expect you to be experts. Obviously, the timing of a podcast can vary depending on how your story is structured, how quickly actors speak, the use of music breaks, and so on, but these word count examples can help give you a rough idea of how long what you have written will take to listen to: These are merely estimates, but on the whole, you can expect one minute of recorded audio to encompass approximately 170 words. NPR has a handy guide to recording audio with your phone. Before you focus on your story, it is helpful to have an idea of how the length of a written script will translate when transferred to an audio recording. Listen to this "Radio Field Trip" from New Hampshire Public Radio. What keeps you listening? Formatting works towards two purposes: easy reading and the ability to approximate the performance time of the written story. A draft number or date Always include a phone number is not required on a and an e-mail address if you spec script. All you need is a microphone and an internet connection, and you pretty much have the tools necessary to make and publish a podcast. Now that you know what your podcast is going to be about, and you've got an idea of the sounds you want to use, it's time to think about structure. Check out this guide to structuring your story — and another about telling a story in three acts. A professionally produced podcast intro and outro is a great place to start, and can really make your show stand out from the crowded field of other podcasts. You might choose to have editors on your team or assign editing duties to teammates who have pitched in in other ways. After you record the conversations or interviews, your team will want to make sure you talk about what you want to cut out and keep in — that's all part of the editing process. What sounds do you hear? Contact and reserve time to interview guests. There's narration from the show's host, Rick Ganley — but there's a lot more than that. Take the mixing process step by step. Since podcasts are an audio-only medium, you need to write scripts for the ear, not the eye. If your school already provides editing software on the computers, feel free to use that. When writing a narrative essay, one might think of it as telling a story. Compile a list of sounds you'd like to record — and bring that list with you when you go into the field. If you carry a cellphone with you, chances are, you've got a recording device in your pocket. Be sure to think about how you might structure your podcast. Having a solo show doesn't trap you into any particular script or outline, but many solo … These essays are often anecdotal, experiential, and personal—allowing students to express themselves in a creative and, quite often, moving ways.

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